Category: Venice

Venice revisited: shopping, lunch and two dinners

That’s not two dinners on one night. Obviously.

Our partner in crime on this trip was Alison, chef of her own restaurant in Norfolk for many years.

It was her first time in Italy and, as a fellow food obsessive, I was excited to show her the markets. Her husband declined to join us, knowing that food would be the dominant subject of conversation.

He was right. Here we are, photographing Puntarelle (it’s a chicory, dressed with anchovies and garlic and…. alright, we’ll stop now).

 

 

 

 

 

 

 

 

 

We went to Rialto and discussed the price of fish.

 

 

 

 

 

 

 

We decided against the Goby,

 

 

 

 

 

 

but it was worth it for people watching,

 

 

 

 

 

 

Then lunch at Bancogiro, site of the world’s first public merchant bank. Their terrace overlooks the Grand Canal, a few steps from Rialto Bridge.

There’s a menu, but it’s better to go into the bar and choose your cicheti from the glass cabinet, order a glass of wine, (or it’s always Spritz o’clock) and they’ll bring it all to your table.

 

 

 

 

 

 

 

Dinner at Osteria alle Testiere, where ‘it’s always SHOWTIME!’

Alle Testiere is an absolute legend. It’s one of those restaurants where the guests are eager to impress their hosts.

It’s essential to make your reservation well ahead. We like to book for the second service, and we’re usually the last to leave.

It’s tiny, founded 33 years ago by Luca di Vita and Bruno Gavagnin, who were formerly head waiter and chef respectively at Corte Sconta, renowned for its seafood.

It’s a long menu. Fish is the point here, they’re closed on Sunday and Monday, because the Rialto market isn’t open.

Luca took our order:

‘Three turbot? I hope we have enough’.

After dinner, Ali engaged Luca in conversation.

‘Bruno goes to Rialto every day, he’s like a child in a sweet shop, he wants to buy everything’.

Ali confided that in her restaurant she listed three choices for each course on her menu.

‘That’s my dream’ said Luca, ‘and the same for the wine list – just three that will go with anything you order’.

 

 

 

 

 

 

With that in mind, we ordered three desserts: pannacotta, zabaglione and a glorious dark chocolate mousse, swimming in a lagoon of Amaro.

Alle Testiere is open for lunch, and two sittings in the evening (book it as soon as you’ve booked your flight).

Trattoria del Local

Ali flew home the next day, and we decided to try the recent offshoot of Ristorante Local, which opened ten years ago and now has a Michelin star.

The young owners, Benedetta and Luca Fullin, were looking for somewhere nearby to store wine for Local, but when the opportunity came up to buy the premises from Olive Nera, the restaurant next door, they couldn’t resist…..

It’s pretty inside and, like Testiere, it’s small.

 

 

 

 

 

 

 

The wine list offers wines by the 125cl glass or 250cl carafe; the full list is available by scanning a code to your phone (a skill beyond my pay grade).

We had a vermouth, ‘classic from Turin’, and a glass of sparkling Franciacorta as aperitifs, then shared a carafe of ‘Giulietta’, a Garganega/Traminer blend; golden nectar, redolent of greengage, melon and honey.

Starters were a delicate snapper mousse, and an exemplary vitello tonnato.

 

 

 

 

 

Mains were lagoon fish with a rich stew of tomato, onion and capers.

I asked for a glass of light red wine, and was recommended a Carmenere by Inama, a favourite producer of fine Soave.

We shared a selection of hard cheeses, then a ‘Bonet’, a dark chocolate crème caramel. I couldn’t resist the waitress’s recommendation of a 10 year old dry Marsala; ‘With the Bonet it’s the end of the world’.

To finish, I was intrigued by Grappa di Tabacco.

Benedetta suggested a smell, ‘for you to understand’, and offered me a sniff of the cork and the open bottle.

Reader, I inhaled it, and accepted a glass. It was the colour of polished brass, quite fiery and the taste had something in common with a smoky Islay whisky.

It may have been my imagination, but it reminded me of the mild hallucinogenic effect of your first cigarette.

 

 

 

 

 

 

Benedetta smiled; ‘as an ex-smoker I don’t want to like it. But I do’.

Opened early in 2025, it’s still being checked out by locals, a lot of whom were clearly in the restaurant business. I think we were probably the only non-Italians there.

As we left, the chef was enjoying a fag break (the real thing) with his mates.

 

 

 

 

 

 

 

Full disclosure:

We spent more on dinner for two here than we had for three the night before at Testiere, but we did drink very well.

We were over excited, and turned right out of the restaurant – we should have gone left.

It’s easy to take a wrong turn in Venice.


http://www.osterialletestiere.it/

Starters & pasta 26 – 28 euros. Mains 32 euros. Desserts 12 euros. Extensive wine list from 24 euros a bottle.

http://www.trattoriadellocal.com/

Starters & pasta 16 – 25 euros. Mains 24 – 28 euros. Wine from 27 euros a bottle. Grappa di Tabacco – did I really?

Santa Marta farmers’ market, a hidden gem in Venice

Approaching to land at Marco Polo for a few days in Venice, I was leafing through ‘Walks in Venice, in the footsteps of 9 locals’ and came across The Mercato de Santa Marta, ‘a small but lively local market’ where every Monday morning, farmers from the mainland come to set up their stalls.

The book is by Katia Waegemans, founder of The Venice Insider, a travel blog for frequent visitors to Venice. It’s available from Amazon, the link is at the end of this post.

We landed on a Saturday in October, which gave us a day to settle in and be ready to find the market. The Santa Marta neighbourhood is in the depths of Dorsoduro.

Dorsoduro

 

 

 

 

 

 

 

 

 

We passed Tramontin, one of the few remaining boatyards that specialise in repairing gondolas, then through the campus of Venice University, where we paused for coffee in the student canteen before proceeding into a complex of unprepossessing halls of residence.

Gondolas at Tramontin

 

 

 

 

 

 

 

 

 

Old ladies were walking towards us with laden shopping trolleys, which is always a sign that you are getting close to a market; sure enough we rounded a corner and there it was. We headed for the busiest greengrocers’ stall, hoping we would be served eventually.

Fortunately a young student shared the helpful information (in English, she was Italian/Australian, an interesting mix) that we should take a ticket from the red dispenser (there’s one on every stall) and wait for our number to be called.

We came away with a good haul of fruit and veg for just 17 euros.

We were recommended to try ‘The Devil’s Beans’ with instructions on cooking by the cheerful stallholder, who threw in some parsley and sage to complete the dish.

Approaching Santa Marta

 

 

 

 

 

 

 

Shoppers were a mix of students and locals, I think we were the only non-Italians there. The quality of produce was excellent, and prices were very reasonable.

The plant stall

 

 

 

 

 

 

 

 

 

We picked up some pork and chicken, salame, cheese, buffalo pannacotta, and a beautiful yoghurt with forest fruits.

Best of all, I spotted ‘Puntarelle’, a salad vegetable that’s only available for a limited season, and rarely seen outside Italy.

Puntarelle

 

 

 

 

 

 

 

 

 

 

 

 

After shopping, lunch would be our reward

We decided to award ourselves a snack lunch of tramezzini, little sandwiches stuffed with various fillings, and headed across the Giudecca Canal to the Bar Palanca.

I’ve always been a little concerned about the Palanca since Time Out magazine listed it as one of its ‘bars with the best views in the world’.

I needn’t have worried.

We were greeted by a lovely waiter who’s been there for years; he fist-bumped each of us in turn, and firmly upsold the specials of the day to share. We were putty in his hands.

The star dish was an antipasto of tuna tartare, baccala mantecato (whipped salt cod), silver anchovies with pink peppercorns, and sarde in saor (sardines with onion, vinegar and golden raisins).

 

 

 

 

 

 

 

 

 

My enquiry about the delicate spicing of the tuna was met with the inevitable response:

‘It’s our secret mix’.


You can reach the market by vaporetto from the Grand Canal to the Santa Marta stop, or walk as we did from the San Basilio stop on the Giudecca Canal; cross to Palanca on the opposite side.



Amaro. For the avoidance of doubt.

‘It’s bitter, no?

This is the true Amaro’, explained Luca di Vita, the charming maitre d’ of Osteria alle Testiere in Venice.
It’s one of my favourite restaurants.

Amaro in Italian means bitter. It’s also a drink. Most of the commercial brands are a bit too sweet, and Luca has created his own ‘Nostrano’, (Ours).

It’s a drink to savour after a meal, a bit like port, but yes, bitter…..
It’s brownish red in colour, with a hint of green.

There’s sweetness, yes, but with the bitterness of rhubarb, artichoke (try Cynar, if you’re feeling adventurous) and who knows what other alchemy.

It’s stimulating, a punctuation that marks the end of a meal, and it supposedly helps the digestion.

Bitter flavours are prized by Italians in ways that we Brits might find challenging: radicchio, rocket, Campari, and the complexities of aged balsamic vinegar or Gorgonzola Piccante.

I dare you.

I had my say in The Sunday Telegraph

The Telegraph was my parents’ paper of choice, and my sister still subscribes.

She tipped me off about the weekly writing competition ‘Your say’ in the travel pages on Sunday.

This week the brief was to describe a favourite sweet treat discovered on your travels, in no more than 150 words.

My entry was printed in a very slightly edited form. Here it is in full:

 

A favourite ‘sweet treat’ from my travels

 

Frìtole in Venetian dialect (frittelle in Italian) are traditionally devoured only during the Venice Carnival, a celebration of gluttony and excess which ends on Shrove Tuesday, before the austere days of Lent begin.

Days are often foggy and cold, and revellers seek out fried treats in the misshapen form of frìtole, found in pastry shops and cafés throughout the city.

They’re knobbly little doughnuts, studded with candied citrus peel, pinenuts, and raisins (which, if you’re lucky, will have been soused in grappa) then fried and dusted with sugar.

Carnevale is not only for tourists; on one night of our stay we managed to get seated in a crowded dining room of a busy Osteria. At the neighbouring table there was a party who were clearly Venetians, finishing a tray of warm frìtole: a Renaissance prince, a nineteenth century admiral, and a Mikado who started singing arias in Italian….

 

 

The Sunday Telegraph, 11 April 2021

Remembering Michael Gough

We heard recently that our dear friend Michael Gough had died suddenly of a heart attack in November 2020.

We inherited Michael as a friend. Stephen Balme, my brother-in-law Richard Groves and I were working at Les Amis du Vin in the 1980s, and we came up with the idea of occasional ‘tasting dinners’.

Each guest or couple would bring a good bottle of wine from a nominated region, and probably another to go with the supper, which the host would prepare, something from the same region as the wine.

The flaw in the concept was the quantity, not the quality, of the wine.

I think it was at the pink champagne evening that we first met Michael. The evening was hosted by Stephen and his wife Shelley Gare in their flat in Ockendon Road in Islington.

When Shelley and Stephen returned to their native Australia in 1986, their fellow Australian Michael bought the flat, and we became friends with him.

 

Michael surveying the carnage. Mid 1980s

 

It was much later that Michael confessed that he was stopped by the police on his way home that night, and taken into Kings Cross police station. He engaged the desk sergeant in conversation, whose son, as luck would have it, was living in Australia.

They must have hit it off; Michael was discreetly released without charge the following morning.

Michael worked as a copywriter in the heady world of advertising in the 1980s, a world of extravagant photoshoots and hedonistic lunches. The agencies had big budgets, and they weren’t afraid to use them.

He would quote from his portfolio, with some pride, some gems: ‘Du vin. Du pain. Du Boursin’. He was less pleased with the strap line he came up with for a since forgotten wine brand, ‘Le Soir….. pour le Bon Soir’.

Best loved in our circle was his summing up of Richard’s business:

‘Richard Groves Catering. It’s a Question of Confidence’.

 


 

He was a master of the comedy pause. When I was working in the wine trade a fellow dinner guest asked me the dreaded question: ‘what’s your favourite wine?’

I later learned to say something straight away, giving the sort of answer they wanted to hear: aged Sangiovese, or a fine champagne, but that night I paused a little too long, trying to think of a suitable response.

After what seemed like an interminable silence, Michael murmured:

‘No rush Al, but tonight would be good….’

 


 

An endlessly entertaining raconteur, Michael was an acute observer of people, and he showed amusement with a chuckle, or sometimes a snort of laughter.

You could tell If he found something really funny; he would fall silent, but his shoulders would continue to rise and fall.

Michael joined us on several holidays over the years. The first was in Tuscany in 1991.

It was there that we noticed a group of attractive and excitable adolescent Italians gathering outside the bar in the town square, prompting Michael’s inimitable comment:

‘Let’s get out of here, before someone gets pregnant’.

 


 

At the end of a good evening, when the others had retired to bed, Michael and I would find a bench somewhere in whatever garden we were in. We would watch the shooting stars in the night sky in Tuscany, or the lights of the flight path to Heathrow over Twickenham.

We would linger over another glass of red wine or perhaps of grappa, and usually, in those days, a small cigar.

Asked the next day what we had talked about, I never had the faintest recollection, but Michael once claimed I had fretted late into the night about the declining stocks of sardines off the coast of Portugal.

 

Michael on holiday in Chablis

 

I was due to start a temporary job in December 1999 and had a week to spare. Michael invited me to join him in an apartment he was renting on a farm in Tuscany.

On the first morning we walked up the track to the village for a coffee, and to buy the wherewithal for lunch. When we got back to the farm, I realised I had lost the envelope containing all my Italian currency.

Michael was a patient man. We retraced our steps up the hill, and sure enough there was the crisp white envelope, lying where it had fallen out of my pocket onto the road.

‘Let me explain to you the concept of a folding piece of leather you put your banknotes in, Al, it’s called a wallet. We’ll buy you one when we go into Florence’.

There had been a hard frost that morning, but it was warm enough to sit out on the terrace for lunch. I can even remember wine we drank, Poggio Alle Gazze (a  Sauvignon Blanc from the Ornellaia estate, since you ask).

Time spent with Michael was always memorable.

 

 

At the Enoteca

 

Michael returned to Melbourne in c1989, but would travel every year or two, so we continued to see him when he was in the UK; he would set up an itinerary of friends to stay with. An exemplary guest, a bottle of champagne and a good red burgundy would typically be proffered on arrival.

He had friends on the other side of the Thames, and he would go to them after he had stayed with us, describing himself as being like the child of divorced parents, spending time with each one in turn.

We continued to see him in Italy too, where we linked up for two holidays in Venice.

In 2014 he joined us on a rowing lesson in the Venetian lagoon. After we had all had a go at steering, our instructor rewarded us with cicheti and wine tastings at a couple of canalside bars.

 

At the tiller

 

Michael expressed regret that day that he hadn’t tried longer to row standing up, like a gondolier. It reminded me of his strap line.

‘It’s a question of confidence’

 

Michael afloat in Canareggio – here ended the lesson

 

Since we heard the news of Michael’s death, I’ve been thinking about his talents and remembering the pursuits he enjoyed:

He was self – deprecating, describing his physique as ‘the body that men admire, and women crave’

He was a writer who encouraged me to write, leading to the creation of this blog.

A talented photographer, he was also a collector of vintage typewriters.

An avid reader of ‘an improving book’, he especially enjoyed the works of Virginia Woolf.

He was a yachtsman; during his time in the UK he loved to spend time on Chichester Harbour on his ‘junk rig’.

Less well known was his skill as an amateur pilot; he liked nothing better than to land an aircraft in challenging weather conditions, at an unfamiliar airfield….

Fortunately he only pursued this risky pastime on his laptop.

Michael was always a wonderful guest, and a generous host; a bon viveur and raconteur.

No mean cook himself, Michael enjoyed watching others at work in the kitchen.

We still feel his presence today, sensing that he’s standing behind us, murmuring approval, or chuckling at some domestic dispute at the stove.

 

Dinner in Murano

I should have been in Venice.

 

Our flight was booked for 27 March, for a short break before my operation that was scheduled for May 1st.

Still, we can look back to dinner in Murano a couple of weeks ago; that’s Angela Hartnett’s restaurant in Mayfair, not the island.

 

View of the kitchen from The Chef’s Table, Murano

 

 

My brother-in-law Richard is a director at Smart Catering, where Angela is executive chef; a dinner at the chef’s table was his birthday treat.

 

 

Tuscan Rosato with the veal

 

 

The head chef came out of the kitchen to introduce herself, and the menu.

‘I’m Lauren; I’m not Italian, as you can probably tell’,

she said, deadpan, in a Scottish accent, before running through the meal: canapés, a starter, pasta, a fish course, a meat course, cheese, and no fewer than three puddings.

‘Let’s hope we get through to pudding’, said Richard.

 

 

Ali, the Sommelier, who chose the wines for the evening, loving her work

 

 

Between courses, a chef came out of the kitchen to explain his or her dish.

“I love it when the chefs have to come out and describe their dish, in fully formed sentences”

commented Ali, as Harry emerged with his outstanding Vitello Tonnato.

 

 

Vitello Tonnato

 

Lauren invited us into the kitchen to plate our own fish course: halibut, carrot. buttermilk, fennel & Pernod velouté.

 

Lauren setting us the Halibut Challenge

 

The pressure was on.

 

On the pass: ‘Yes, chef!’

 

 

Ali was wearing a gold bunch of grapes as a brooch. Asked if it was her sommelier’s badge,

“Yes, I bought it on eBay – it’s bigger and more feminine than the official one”.

 

 

Rare breed pork, fermented cabbage, quince, mustard

 

 

The pork was so good, I forgot to take a picture before getting stuck in.

 

 

We were presented with a menu at the end of the evening (to make sure we had been concentrating)
It was an outstanding and truly memorable experience.  The different dishes were subtle, concentrated, beautifully executed – and the wines were marvellous, and thoughtfully chosen.
I’ll write about the food and wine pairings in my page ‘And to Drink?’
The team, led by the terrific duo of Lauren and Ali, is exceptional.

Murano by Angela Hartnett, 20-22 Queen Street, London W1J 5PP.

A calm and happy kitchen, and a real sense of welcome and hospitality front-of-house.

 

https://www.muranolondon.com/

 

Café Murano: St James’s; Covent Garden; Bermondsey Street

2019 – the Food Stuff

There’s a weekend to be planned here – nothing that couldn’t be achieved with the services of a private jet, and perhaps a bit of time travel.

You could have breakfast in Paris, take a coffee in Stockholm, then lunch on Torcello, or Borough Market in London if you prefer.

Dinner? Back to Paris, on to Amsterdam? Or (my choice) Stockholm again for a magnificent steak.

I’ll let you take in an hour’s TV to recover, then if you still have the stamina, we’ll head over to Venice for a nightcap.

 

 

Best Breakfast of 2019?

It has to be The French Bastards, for ‘A croissant worth crossing Paris for’

https://wp.me/p7AW4i-Kj 

 

Best croissant in Paris?

 

 


Mid morning coffee

A seriously good cup of coffee is one of life’s great pleasures for me, and they don’t get much better than at Robert’s Coffee, in the Saluhall market, Stockholm.

The cinnamon buns are a bonus. (They take cards only, not cash, so you won’t even have to bother buying kronor).

 

 

Fika at Robert’s Coffee, Stockholm

 

What have the Swedes ever done for us?

https://wp.me/p7AW4i-Cv

 


Lunch in the Lagoon….

Osteria al Ponte del Diavolo on the island of Torcello; all the better for being unexpected.

Torcello is about an hour from Venice; you can reach it on a scheduled service, changing at Burano, using your vaporetto pass.

 

Osteria al Ponte del Diavolo, Torcello

 

The ancient basilica on Torcello predates the city of Venice. To reach it from the quay, you walk along the side of a canal. The most famous restaurant on the island is the Locanda Cipriani nearby, but you pass three others on the way.

We weren’t looking for a grand lunch, but something to fortify us for the basilica.

The first place looked fun, but was packed with families queuing for pizza.

The second was a fairly standard Trattoria. We walked on.

The third had a big dining room with a covered terrace at the back, opening onto a garden. The menu looked as if we could find something suitable, so we went in and were greeted with smiles and shown to a table.

It was a good decision, even the bread basket was exceptional. We had a pretty antipasto of colourful steamed vegetables, all tasting intensely of themselves, served warm to bring out the fruitiness of the olive oil dressing.

Then black squid ink pasta, with crab, samphire and rosemary; orecchiette with turbot and cherry tomatoes.

We drank Arneis, a white from Piemonte.

After lunch we wandered round the garden and may have dropped off on a bench in the pergola. Just for a moment….

Osteria al Ponte del Diavolo is open for lunch Tuesday to Sunday, and dinner on Friday and Saturday.

 

 

….and at Borough Market

Closer to home but equally unexpected was discovering the new Brindisa Kitchen at Borough Market. It’s inspired by the bars in Spanish markets.

I saw it had opened the day before I’d arranged to meet a friend for a day of shopping and sustenance (Instagram has its uses).

 

A perfect scallop

 

A glass of Manzanilla with a single perfect scallop.

Hake & mussels.

I love watching chefs happy in their work, interacting with their customers, and the bar staff were charming.

 

The head chef, Brindisa Kitchen

 

Hake & mussels

 

https://boroughmarket.org.uk/traders/brindisa-kitchen


Dinner?

Honourable mention for the Sweetbreads at Frenchie’s Wine Bar, Paris.

So good, I ate them twice.

https://wp.me/p7AW4i-Kh

 

‘Everything, I want to eat everything’

 


 

Caffé Toscanini in Amsterdam for the whole experience of food and hospitality; a perfect aperitif followed by an accomplished Italian meal, delivered with good humour and expertise.

https://wp.me/p7AW4i-Kh

 

The bar at Caffe Toscanini, Amserdam

 

The prize goes to A.G. for the best steak of 2019. I’ll be lucky to find one as good in 2020.

Most of the tables were occupied by groups of men sharing massive steaks.

There were also a few couples on date nights, sharing massive steaks.

‘Vegetarians, look away now’.

 

https://wp.me/p7AW4i-Oh

 

A.G. – ‘vegetarians, look away now’

 

 


TV Show: Remarkable places to eat, Episode 1, in which chef Angela Hartnett takes Maitre d’ Fred Siriex to her favourites in Venice.

It’s a full hour of television, so they have time to show you the dedication and hard work that goes into delivering the best ingredients and food experiences in the city. These are not cynical tourist traps. Nothing is done without effort: wading chest deep in the lagoon to harvest seafood; delivering vegetables by boat and trolley to Bruno Gavagnin, the quietly spoken but demanding chef at Alle Testiere; walking half a kilometre over bridges carrying boxes of perfect patisserie to Caffe Florian, from their production kitchen to Piazza San Marco – several times throughout the day.

At the time of writing it’s not available on BBC iPlayer, but it’s sure to turn up on your TV sooner or later.

 

Here are the fishermen:

https://www.bbc.co.uk/programmes/m0006vw3

Here’s a clip:

https://www.bbc.co.uk/programmes/p07g3dkl

 

 


FANCY A NIGHTCAP?

 

Let’s head back to Venice, for a glass of wine at Vino Vero. 

You’ll find it here, on my page ‘And to drink?’

 

https://wp.me/P7AW4i-aV

Drinking with Chip ‘n’ Dale

It’s your first evening in Venice, and you’ve booked dinner at Al Zucca, ten minutes walk from your hotel. You’ve been there before, you fancy a drink first, but you can’t remember anywhere on the way to the restaurant. There’s a street in the other direction where you know there’s a simple pizzeria on the corner, with a well stocked bar, so you set off.

As you approach, there’s the sound of lively conversation that grows louder as you get closer, and it’s not coming from the pizza place.

Turning the corner, there’s a tiny new bar, and it’s buzzing. On one side it opens onto the calle, inside is the bar: a glass cabinet of cicheti, some bottles of wine, and a display of your favourite bitters above. There are two bar stools, a couple of barrels outside, and that’s about it.

 

‘Un spritz al Cynar, con prosecco, grazie’

 

There are two guys behind the bar, the service is friendly, and so are the prices:

A spritz is €2.50, or €3.50 con prosecco – a generous pour over ice, topped up with prosecco and a splash of soda. They have Cynar and Select, as well as the usual Campari and Aperol.

You prefer wine? €1 for un ombra, or €2.50 for un calice, a proper glass. Cicheti are €1.50 a piece.

 

 

The seemingly never-ending pour

 

 

We enjoyed it so much, we went back for a drink after dinner….

 

‘Later that night’

 

 

In fact, we were back the next morning too, for coffee this time, although there were spritzes lined up on the bar by 11am.

 

 

The morning spritz, Cip & Ciop

 

 

Demographic: all ages, from a babe in arms upwards; a mix of visitors and locals.

Playlist: energetic salsa.

What’s it called? Cip e Ciop. In English, that’s pronounced (approximately) ‘Chip Eh Chop’. None the wiser, I looked it up; apparently they are Disney cartoon characters, two chipmunks whose names translate as ‘Chip ‘n’ Dale’. 

Where to find it: the closest Vaporetto stop is Riva di Biásio on the Grand Canal; it’s the first stop from the train station, which explains the flow past the bar of visitors with luggage. Turn right off the vaporetto stop, until you have to turn left into Calle del Pistor, and Cip e Ciop is on the corner of Lista dei Bari.

 

I’d say you can’t miss it, but this being Venice, of course you can….

 

The Grand Canal near Riva di Biasio

 

http://www.hotelcazustovenezia.it/en/

Ristorante La Zucca: http://www.lazucca.it/en

My review https://wp.me/p7AW4i-zv

A last lunch before the deluge

Acqua Alta comes as no surprise to Venetians in November, it’s an annual phenomenon; an irritation, an inconvenience to be dealt with stoically by the residents and businesses of the city.

This year, as we now know, it was a disaster on a scale unprecedented since 1966. Many restaurants and shops were forced to close by the flood on the night of November 12th.  The water subsided, only to be followed by a second high tide a couple of days later, then a torrential downpour.

As I write this on 17th November, BBC Radio News is reporting a third flood.

 

Osteria Bancogiro

 

One of the restaurants affected by Acqua Granda is Osteria Bancogiro, on the fringe of Rialto market, within sight of the bridge and the Grand Canal.

Just over a month ago I was in Venice. We usually visit Bancogiro to sit at the bar with a selection of their chicheti, but on a warm and sunny day in October it seemed a good idea to have lunch at a table outside.

 

 

Bancogiro from the terrace

 

Instead of choosing from the display of snacks in the counter, we were presented with a printed menu. In a moment of innocence I ordered the Antipasto Misto di Pesce, expecting the typical Venetian restaurant plate of baccala (salt cod), prawns, cannochie shrimp, cuttlefish roe etc.

What arrived was an antipasto with a Bancogiro twist – a tasting tour on a plate, helpfully guided by our waiter:

‘From the bottom right, anticlockwise’

Prawns in tomato sauce on cream cheese. Octopus and aubergine on polenta, drenched with olive oil. Baccala mantecato on warm black polenta. A generous pile of smoked tuna, infused with orange zest. Sweet pepper stuffed with soft cheese. Sarde in Saor.

 

 

 

Antipasto misto di pesce

 

 

Lunch was accompanied by an equally varied soundscape: the sounds of the engines of traffic from the canal, the hammering of builders restoring the roof of a palazzo on the far side, and the cries of seagulls scavenging debris from the fish market.

There was a moment of serious balcony envy, as we looked up and realised there was someone else enjoying lunch, followed by a spot of sun worship.

 

 

Balcony envy

 

As we enjoyed a coffee, someone at a neighbouring table was already contemplating

‘Spritz o’clock’

 

Spritz o’clock

 

 

Bancogiro closed the day after Acqua Alta; they were defiantly open again a day later.

 

In the following days, there have been many images in news and social media as the unsung heroes of Acqua Alta have quietly got on with the business of pumping, mopping and cleaning up after the waters subsided, and in some cases opening for business even if they have been up to their knees, or higher, in water.

As a small tribute to these heroes, here are some of their Instagram tags, where you will find images of citizens of all ages, doggedly trying to restore normality to their homes, churches and businesses:

On Instagram, you’ll find the team outside osteriabancogiro up to their knees but grinning, sharing ‘that glass of wine, that slice of fennel salame, a hug between friends who share a difficult moment’

cantinaschiavi is more succinct: ‘Honestly, it’s just a ****ing disaster’ – their shop floor underwater; a collapsed stack of sodden cases of wine.

But at venissa_tenuta on the island of Burano, a waiter is standing ready to greet you on the restaurant terrace with a bottle of Prosecco. He’s smiling.

The green floodwater nearly covers his waders, and the caption reads ‘Still positive’ 

 

On the morning of November 18th, the waters appear to have subsided….

HOW TO HELP VENICE AND THE VENETIANS AFTER THE ACQUA ALTA

 

Here’s a link to some sound advice from The Venice Insider:

 

https://www.theveniceinsider.com/how-to-help-venice-venetians-acqua-alta/

 

Dalla Marisa, by way of Buckingham Palace

Her Majesty the Queen owns the largest collection in the world of paintings by Canaletto. This was celebrated in November 2018 by an exhibition at The Queen’s Gallery, Buckingham Palace: Canaletto and the Art of Venice. 

One of the events organised at the gallery was a conversation on Venice with art historian Andrew Graham Dixon and restaurateur Russell Norman. 

When asked in the Q & A which painting in the room they would like to take home, Russell immediately laid his claim for a large canvas depicting the basilica of Santa Maria della Salute.

Andrew confessed that Canaletto, although a fine painter, was not his favourite. If he were to be transported back to the 18th century to meet him, his first question would probably be ‘what can you tell me about Caravaggio?’

Another questioner asked what the pair thought of the food scene in Venice today.

Andrew agreed with Russell that if you see a restaurant with linen tablecloths, each place set with two knives, two forks and two glasses….

 

‘Don’t go there’

 

Instead, Russell Norman made reference to Dalla Marisa, a Venetian institution. He recently described it as

“The cacophonous canteen that is Dalla Marisa.

32 seated inside and close to 60 outside (no women inside at all). Everything cooked by a kitchen brigade of two, who both look like they’re in their 70’s. One washer-upper and two waiters. Three choices of pasta & 3 choices of meat course (it’s famous for its carne, being situated next to the old abbatoir) There are international art dealers side-by-side with paint-splattered labourers, gondoliere, politicians and a few cops”.

 

Outdoor tables at Dalla Marisa on the Cannaregio Canal

 

 

It seemed churlish not to follow his advice

I had read that there’s a fixed price of €35 for three courses including wine. It was to be lunch before an evening flight, so we decided to go for it. While they take bookings, it was Monday and the weather was good, so we took the risk and turned up to take our chances. Arriving at 1pm it was busy, so we loitered optimistically by the door, and a table outside soon became available.

Inside it’s a busy dining room. At the back you can catch a glimpse of the chef in her domain, an elderly lady in a white jacket and equally elderly slippers. She emerged to talk to a table of eight regulars (with a woman in charge) about their order.

There’s no printed menu, but a blackboard at the entrance indicated a more attemptable lunch for €17.

 

 

The lunch menu, Dalla Marisa

 

We opted to order in Italian. Three choices of pasta were offered by the waitress, ‘today we have tomato, ragú, or (something or other) with Bresaola’.

We both chose the Ragú, and I asked for 1/4 Vino bianco, a 250cl carafe of white wine.

The pasta arrived quite quickly, but the wine needed a reminder.

 

Half a litre came; it would have been rude to complain

 

it was was slightly frizzante, with a good head of froth.

 

The froth subsiding rapidly on vino frizzante

 

The pasta were conchiglie, little shells that were the vehicle for the mildly seasoned, oily sauce.

Perfetto. 

 

Pasta al Ragu

 

Next up, per secondo: “stew”, pork chop, steak, chicken cutlet, pork with wine.

The stew looked great on neighbouring tables, chunks of meat in a rich sauce, and the chicken was simple and good, hot from the grill.

 

Pollo grigliato

 

 

Contorni (vegetables on the side), a choice of chicory or peppers. The chicory was silky and savoury, the colour of the Cannaregio Canal.

 

 

Cicoria

 

We finished with two perfect espressi.

Towards the end of lunch, a grizzled ruffian shuffled out of the restaurant. I surmised he might be Marisa’s husband; bearded, with long hair, a crucifix earring and flip flops.

He picked up some leftover bread from a table, and threw it disconsolately into the canal for the gathering crowd of pigeons and gannets. He spent the next half hour or so ineffectually flapping his arms, trying to shoo them away when they inevitably came back for more.

 

A flapping contest

 

 

 

Russell Norman again:

‘The portions are huge and the wine on other tables seems to be bottomless (are these people going back to work?!) There is nowhere else quite like it in Venice or, indeed, beyond. I’ve heard that it, like so many Venetian institutions, is changing hands soon. I hope its philosophy and legacy remain…’

 

I like the Cannaregio Canal. The Guglie Vaporetto stop is on the Allilaguna route to the airport, and a few tourists stray from the Strada Nuova, but it feels like a working thoroughfare. There are no gondolas, there’s a small fish market by the canal, and a Jewish café is a clue to its proximity to the Venetian Ghetto (the first in the world).

 

 

Vaporetto on the Cannaregio Canal

 

Like Dalla Marisa, there’s something uncompromising about it. It’s a reminder of how Venice used to be.

 

 

Dalla Marisa

 

 

Da’a Marisa, Calle de la Canne, 652/B Cannaregio.

(near the Tre Archi bridge, Fondamenta San Giobbe)

 

https://www.fodors.com/world/europe/italy/venice/restaurants/reviews/da-marisa-477217