I don’t usually watch The Repair Shop on BBC television, but it happened to be on over Christmas. It was the Christmas Special, filmed in a heavy snowfall; I only realised later it was probably recorded in the height of summer.
In the show, members of the public bring family treasures to be repaired by expert craftspeople.
In this episode Dame Helen Mirren was invited as a guest.
She presented the Repair Shop with a project which caught my attention; she works with Denville Hall, a retirement home for people in the theatrical profession. Past residents include Sir Richard Attenborough, Robert Hardy and Marianne Faithfull; Scottish comedian and actor Stanley Baxter died there last year.
It drew my interest because Denville Hall is located in Ducks Hill Road, Northwood, where I spent much of my childhood.
She told the story of Martin Landau, a theatre director who was a supporter of the home (not to be confused with the American actor of the same name).
Landau came to Britain on the Kindertransport, a Jewish child fleeing from Nazi Germany. Aged just 14, he never saw his parents again.
He brought with him his most treasured possession; a cello, which was deliberately broken by the German guards as he boarded the train. Despite the damage he kept it, and left it to Denville Hall on his death.
The project was to repair the cello so that it could be played again for the enjoyment of the residents of the hall.
Becky Horton, a stringed instrument restorer, described it as beautiful, but ‘a real mess’. It was badly cracked, and the neck was detached from its body.
It was a long and very anxious process to repair the cracks, and she became tense as the neck had to be glued in place very precisely, or the tone of the cello would be imperfect.
Later in the programme Helen Mirren returned to see the completed work. Becky told her that during the process of restoration, she had fallen in love with the instrument.
A celebrated cellist, Raphael Wallfisch, was introduced to play ‘Have Yourself a Merry Little Christmas’, proving that after more than eighty years the cello was resonantly alive, with a future ahead of it.


















































